Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Thursday, January 16, 2014

Michelle4Laughs- It's In The Details: Getting the Call: Mariam Kobras


The Story of my Life: 


"Some things in life happen when you least expect them.
When I woke up on that cold and dreary November morning in 2010 and decided to write a novel, I had no idea that only two years later, it would be published, and go on to win a Bronze Independent Publisher Book Award."

Read the whole story on Michelle Hauck's blog, where I'm a guest blogger today.
Thank you so much, Michelle! 


Michelle4Laughs- It's In The Details: Getting the Call: Mariam Kobras: Call stories come in all forms, but this one takes an unconventional path.  See how Mariam Kobras befriended her way into showcasing her talent for a publishing contract…





Monday, June 3, 2013

Another Trip to Frewyn - The Blog Hop for Tales of Frewyn


Michelle Franklin takes us back to Frewyn! 


Join her as she tells us all about it!

The Haanta Series is the longest, ongoing, online romantic fantasy series. Thousands of readers visit the world of the Two Continents to enjoy the daily short stories featuring all their favorite characters from the Haanta Series novels. In between the business of the books, the commander, Rautu, Otenohi, Unghaahi, Leraa, Kai Linaa and Alasdair enjoy some time together in Diras Castle, but as the stories portray, mischief lies in every corner of the keep where spiders, chocolate pies, petulant giants and grouchy cooks abound.






 

From the short story “The Five-Second Rule”

There was a long-standing rule in the kingdom of Frewyn pertaining to food that had gained tolerable popularity, but while it was followed with decent devoutness, the exact stipulations of this rule had gone mostly unspoken: the Five-Second Rule, though a favourite with many a man in Frewyn, contended that any meal which had the unfortunate claim of falling to the ground might again be picked up if done within the boundaries of five seconds. There were other more precarious iterations of the practice that allowed for a period of ten seconds, but those who kept such a prolonged observance were certain to die from the disease that would latch onto the fallen article within the added time. It was generally unknown when this practice had begun or whence in the kingdom it came, and while it may have begun as a means of salvaging food during times of privation, the rule was soon a settled thing, ingrained into many a mind and practiced by young and old.
Men were the great champions at applying this rule, for those who took their daily feriation in the taverns asperged about the kingdom became well versed in the art of reclaiming a fallen slice or two during their bouts of mild insobriety. It became a sport, the finer points of which were discussed and remonstrated over pints of Mother Morlund and Go to the Wall. Rules within the rules were made: damp and dirty floors must never be eaten from, cooked meats and steamed foods must be left for the hounds, but anything that was somewhat dry and could be easily swept away might be taken up again and eaten with tolerable comfort.
Fallen food, once assessed by a discerning eye, could not be eaten with careless alacrity; it must first be subjected to the proper scrutiny, must be blown upon and turned over and blown upon again, must be examined for any excessive debris, must be burnished with a somewhat clean hand or polished with a corner of a sleeve, and then it might be passed round and subjected to a public assessment before it could be deemed eatable. All this, seemingly a waste of time and effort, while prized by many a Frewyn farmer, had been used to horrify the Den Asaan. Many time during the Galleisian War had he observed a cern or a captain reclaiming fallen provisions, and while to lose dried beef and cured pork was a terrible thing, it was far more terrible to see a sullied piece, knocked about by many a boot, taken up and eaten. The poor giant agonized over such a practice. He should starve rather than eat something that had been so bemired. His chief horror in the business was in seeing the cerns take up a fallen piece which had been kicked about and trod upon and eat it without any attempt to clean it. The giant's looks of horrified disdain garnered an explanation: the ground, though dirt itself, was not dirty, and indeed there was no time in a war to bother with cleanliness or epicurism. Disgusted by such an insalubrious practice, the Den Asaan had avowed never to understand it and swore never to accept such a ridiculous rule, but the imminent loss of a piece of Tyfferim Dark, forged by the hands of so skilled a chocolatier, soon changed his mind.
He stood at the kitchen table, unpacking a delivery made to him from Diras Delights, and as Betsiegh was in the secret of the giant's favourite treats, she had placed the large slab of Tyfferim Dark at the top of the parcel. Instantly, upon opening the box, did the giant attack the chocolate, tearing away the thick brown packing paper with all the fervency that his dependence could excite. His eagerness, however, had been his ruin: a small piece of chocolate broke from the bar as he finished unwrapping it, tumbling down and skittering across the ground, stopping at the foot of the table, waiting patiently to be picked up and admired and eaten. Consternation struck him most forcibly: what was he to do? He could not merely leave it derelict and forlorn, but taking it up only to throw it away should be an unbearable shame.






About the AuthorMichelle Franklin is a small woman of moderate consequence who writes many, many books about giants, romance, and chocolate.

Tuesday, February 19, 2013

The World of Khantara








High fantasy, romance, quirky humor and writing that reminds of Jane Austen - all these you can find in Michelle Franklin's novel Khantara! It's my honor to welcome her to my blog today, where she stops by on her blog hop to celebrate the release of her novel.
I will tell you this much: my favorite character is "the wren".

If you like fantasy, and if you appreciate a good read, this is for you!











Remembering Kindness: Vyrdin’s Dream 

PART 4
                Twenty minutes had gone since Vyrdin had left the farm, and he had not returned and closed the low gate when Mr. Carrighan came thundering toward him from the house. “Where you been, boy?” he growled, his good eye flaring, the veins in his forehead throbbing, his dry and crag-like mouth caught in a cracking flout. He grabbed Vyrdin by the collar and jerked him forward. “That kiln ain’t lit,” he hissed, giving his prey a fierce shake. “You’re gonna tell me where you been or I’m gonna take the hazel to you.”
                “The cleric, sir,” Vyrdin murmured, trying to maintain his balance as he was jerked about. “The cut on my arm wasn’t healing.”
                “You ask me if you could leave?”
                There was no answer.
                “You hear me, boy?” He jostled his captive, but Vyrdin remained silent, his eyes downcast and his head down in solemn contrition. “You’re askin’ for a birtchin’, boy,” he seethed, gripping the back of Vyrdin’s collar with the opposing hand and hurling him round.
                Vyrdin almost toppled over his own feet and regained his footing only to be met with the sight of his master’s free hand reaching into his overcoat pocket. He knew what was hiding there, was well aware of the pain he should be in a few hours hence from the sting of the delimbed shrags, and tensed his shoulders, tightened his fists, and winced in preparation of the anguish of what must follow.
                “Diathanes, Carrighan,” said a familiar voice.
                Vyrdin turned, and without looking up noted the brickmaker hastening toward them from the corner of his eye. Shame and indignation crimsoned his gaunt cheeks, and though he was not released, his master’s hold on him relented. 
                “Gearrog,” Carrighan exclaimed. He took his hand from his pocket and offered it to his visitor, eyeing him charily. “What brings you? You ain’t goin’ to Westren for the holiday?”
                “Can’t. Too much to do here.” Gearrog glanced at Vyrdin, whose face was turned to the side, and then at Old Carrighan, who seemed particularly discomfited by his sudden appearance. He seemed half a second away from doing something which he knew others might find intolerable, and though he appeared somewhat ashamed, he was hardly repentant: his hand was still grasping Vyrdin’s collar, the boy looked as though he were petrified, and altogether the brickmaker received the notion that he had interrupted something which he was certain of disapproving. “I just come by to see if you’re needin’ ‘nymore brick for your kiln. Saw the lad’s arm,” nodding to Vyrdin, “I says that need healin’, so I brought him to the cleric meself.”
                “That true, boy?” Mr. Carrighan said, in a heated tone.  
                Vyrdin looked away, his heart swelling with indignation, his eyes brimming with tears.
                “Practically had to drag the lad there,” said the brickmaker, with pointed circumspection. “Lad didn’t wanna leave.” He paused and gave Vyrdin a solicitous look. “Hope I didn’t cause no trouble.”
                “No trouble at all,” replied the feller, with marked coolness.
                A perfunctory grin on one side, a fleeting smirk on the other, and the brickmaker felt obliged to linger around the land, that he might assured of the boy’s safety. The manner in which the boy was being held, his refusal to turn around, the shifting looks of the feller, his vehement stares all suggested there being something amiss here, and Gearrog would see it if he could. He wanted there to be a something wrong that he might report it, but when Mr. Carrighan said his “Good night, Gearrog,” with stern finality, he was certain of observing nothing whilst he was around to witness. He must take his leave and pretend to go if he should catch him at doing something unwholesome. He nodded his goodbyes, hoped that Vyrdin was well, and turned toward town, looking over his shoulder as he went with marked concern.
                “It ain’t right when a lad’s ‘fraid to get his arm mended,” he murmured to himself, but he observed that the boy was being released, and his mind could not be easy.
                “Get back to work, boy,” said Mr. Carrighan, pointing Vyrdin toward the kiln. 
                Grateful that he had escaped what had promised to be a most brutal punishment, despite his humiliation, Vyrdin felt his fortune and began moving toward the far field. Pangs of intense hunger suddenly assailed him, and as the sensations of stiff fingers and cracking skin were once again upon him, he felt his spirits grow somnolent. “Sir?”  he asked, mortified and desperate, “I’m very hungry. May I have something to eat, sir?”
                “Somethin’ to eat?” Mr. Carrighan chuffed. “You think you deserve it, boy?”       
                Vyrdin knew the answer to this question: if he should say yes, he would be punished for insolence, and should he say no, he would be admitting his own folly at having asked at all. He remained silent therefore and left the fate of suppers and subordination to be determined. He felt the scowling countenance of disapproval and disgust bore through his curls. How disobedient and repugnant an object he was to have gone to the cleric that he might find some small measure of peace and care for an arm which he desperately needed for work. Should he have lost it, he dreaded to think of how vilely he would have been treated thence. A poor and famished orphan with only one arm was far worse than one with two, for as long as he proved his usefulness and asperity, he was given meals — when he deserved it — and shelter where he might otherwise have been forced to find both in a poor house. The Church could not want him any longer; he was too old to be taken in unless he meant to join the laity. Penance and privation must be his due, but he escaped both punishment and remonstrance here: Mr. Carrighan was in want of the plum pudding his sister had shoddily made and was therefore obliged to show his kindness on the holiday and forgive the boy for his lapse. Such a charitable act obliged Vyrdin to say his thanks, and as the master returned to the house, Vyrdin exhaled in relief, marveled at his fortune at having been spared two punishments in one day, and went to the far field, hoping to find the last remnants of a few dandelions about for grazing.
                Some of the kale, cabbage, and sunroot was still in the ground, and after eating a few of the tough leaves and exhuming some of the tubers, Vyrdin found himself able to continue with his work. He drew his scarf about him, tore through the sunroots, rallied his spirits, and with a few stalks of kale in his mouth, went to collect the wood for the fire.
                “Lad’s gonna freeze hisself to death,” said Gearrog, watching Vyrdin mechanically sift through fallen boughs of dried oak. A vicious glare toward the house, and the brickmaker was gone, hastening down the road with all the alacrity that his violent indignation could excite. He would not leave a boy to freeze in the cold, he would not leave him to go hungry when every other house was sitting down to table and delighting in all the revelry of the holiday’s first feast, and he would not leave him to feel wrong for doing what was right. 





See the entire blog hop here: 




Don't miss the next installment!







Wednesday, February 13, 2013

Author – To Be Or Not To Be








A friend in the publishing industry just posted this question on Facebook:

"Just curious ... has being an author turned out to be what you expected? Or something completely different?"

She caught me at just right time and mood for a crabby, tired and uninspired response. 

This is what I said: 

 “It's more, and less. There's a hell of a lot more work involved, with all the promoting and marketing that is expected (even though I'm traditionally published), and a lot less money than I thought. 
It takes a lot more patience and good will than I expected too.
To sum it up, it's a job like any other, with ups and downs, bad days and good days, some perks, and then there are those moments when you want to throw everything in a corner. 
But it's also living a dream.”

There's really very little to add to this.
And yes, the question made me feel strangely crabby.

During the past four days I've written exactly three sentences on the novel that is due for submission in July. I have 50K words written, which is a little more than a third of the book, and time is running. I'm not a fast writer; 2000 words a day is my limit.
So yes, I feel the pressure. And I'm one of those writers with a hint of OCD: I deliver on time, which, for me, means I deliver a month before the deadline. This is something I'm proud of. No publisher will ever have to remind me of my deadlines. This I promise.

But here's the thing, and this is what made me crabby just now.

Once you're an author, a writer who has signed a book deal, you're also someone who works for a company. Don't fool yourselves: it's just that. A book deal is nothing more but a work contract. The moment a publisher accepts your first book, everything changes, and this is something you have to realize
This isn't a hobby anymore. You now work for someone, and they want to see profits.

An author friend (pretty recently signed, I want to add) told me the other day, "All I want is to be published."

Really, dear heart?

I tried explaining to her that "just being published" is not how this thing works. That a publisher acquires manuscripts to sell them, and the more the better. They don't offer contracts because they "just" want to publish a pretty story. They want to make money, and preferably a lot. 
Things are harder for authors these days. With self-publishing swamping the market with cheap or free books, it's harder than ever for publishers to place their books so they'll be noticed.
I know, because I'm there.
Publishers expect authors to pull their own weight, and rightly so. The book we sold, it's our product, isn't it? We created it, and like an engineer who developed a new car or plane, or a rocket that will take tourists to Mars, we have to stand before the customers and sell our product.

It’s not just about the book anymore.
If you want to be successful as an author, you have to be a pop star.
Do you know Neil Gaiman?
Look at him, and you know what I mean. He’s a pop star among authors.
So if you want to be an author and not stay “just” a writer—which is totally fine–but if you aim to get your stuff published, move your butt. Leave your writer’s den and the cozy silence of your home and shine.
Make people notice you, and if you can, make them like you. Make them curious about you, and they’ll start reading your books, too.

So, back to the crabby.
Yes, I’m crabby.
I’m crabby because I’m not getting any writing done, when I should be writing, because…

Here’s another thing. 
As an author, you have to think corporate. 
It’s not just you and your publisher.
It’s you, and your editor, your copyeditor, your fellow authors at that publishing house, and dozens more people who depend on YOU. You’re part of a corporation. You’re making money for others, and they are making money for you. 
One of your fellow authors has a promotion running?
Get out and help! Use your network to help sell their book, and when it’s your turn, they’ll help you. Hopefully. If they have the right attitude.
I’m helping a fellow author right now. That’s why I’m not getting any writing done, and that makes me crabby.
But it’s a good kind of crabby, because I know tomorrow my own promotion begins, and my publisher, my editor, and afore-mentioned fellow author will work their butts off to support me.
We are not alone.
We don’t have to be alone.

Okay. Now that I’ve gotten this off my chest I’m going back to recruiting twitter friends. I’m asking them to help me spread the word tomorrow, when my own giveaway starts. So far, everyone I’ve asked has gladly offered help, and I’m deeply grateful to them.
I think we’ll have a blast. 
So see you tomorrow on twitter, Pinterest, Google+ or Facebook, where you can grab a pretty neat present from my publisher and me!I 

I mean - haven't you always wanted to read one of my books and just never got a chance? ;)


Monday, October 22, 2012

"Land of Hope" - a mosaic of voices




Today I have the honor of introducing Junying Kirk to you.
She's been an author friend for a long time, and I've watched her write this book with joy and anticipation. Here's my review of her latest novel.



Land of Hope Book Blurb


Every year, millions of illegal immigrants cross borders in search of wealth, happiness and a life of ease in the Land of Hope. Some succeed. Others suffer unimaginable hardships. 

When Jack Gordon, Inspector in the SCS (Serious Crime Squad) hires Pearl Zhang, a professional Chinese interpreter, they join forces to fight injustice in the corrupt underworld of international crime, human trafficking and sexual exploitation. 

Pearl is the voice of broken dreams, translating raw, deranged, and colorful tales of those who cannot speak for themselves. As Pearl gets more and more tangled in the lives of strangers, Jack becomes a welcome diversion, complicated by the fact that both are married. Their trans-continental roller-coaster ride derails when Pearl tumbles into the sinister world of her clients, a world full of secrets, lies, and unspeakable violence - only this time, it's directed at her. 

Can she depend on Jack? Find out in this third and final book of Junying Kirk's "Journey to the West" trilogy.   



Land Of Hope - a review

Land Of Hope by author Junying Kirk was not at all what I expected. 
What begins like a comfortable English TV crime show—much in the vein of Inspector Lewis or Midsomer Murders—soon spills over into a multi-layered tapestry of interwoven stories. 
Kirk, like her female protagonist, Pearl, is of Chinese origin,and an interpreter of Mandarin. She  too, is married, lives  in England, and works with the police and the courts, which makes her insights into their workings authentic, and at times bleak. As if to counterbalance this, she weaves a love story into her novel, one that seems as surprising to the characters, as it is to the reader. Pearl and Gordon just aren’t meant for each other, and we feel it right away. While around them the many layers of the mystery—that begins with the fire at the fruit packaging plant— unfolds, Pearl and DI Gordon take time out for a break from the reality of their problematic marriages and dreary work days.
Kirk’s language in the chapters dealing with Pearl and Gordon and the investigation is brisk, sometimes even male in its directness, but her real strength shows in the chapters told from the Chinese immigrants’ point of view.
I’m not sure Kirk realizes her true potential lies here: even hardships in a Maoistic China sound lyrical, reminiscent of Pearl Buck, and are alluringly exotic to a European reader. The reason may be that she uses first-person narrative in these parts of the book, but there is also a fluent, comfortable flow to the language that is missing from the crime chapters.
Kirk is not afraid of using violence, and decribes these scenes in realistic detail.
Let me just say, her heroine Pearl is made of sterner stuff than most women.
Land Of Hope is a satisfying read, but since it’s the third in a trilogy, you may want to start with books one and two.

Junying Kirk is an author to watch, and I look forward to her giving us more insights into the culture of China in her future books.

                               Amazon.com
                               Amazon.co.uk
                               Smashwords








Author Bio: Junying Kirk grew up in the turbulent times of the Cultural Revolution. A British Council scholarship led her to study English Language Teaching at a top English University in 1988, followed by further postgraduate degrees at Glasgow and Leeds. She has worked as an academic, administrator, researcher, teacher, cultural consultant and professional interpreter. She loves reading and is the author of 'Journey to the West' trilogy, The Same MoonThe Same Moon Trials of Life and Land of Hope, and she blogs at http://www.junyingkirk.com





The blog hop goes on here: http://doreenmcgettigan.com Don't forget to check it out tomorrow!




Friday, June 15, 2012

A Housewife With A Half-Life!

It's a great pleasure to be part of Alison's blog hop!
She has just released her novel "Housewife With A Half-Life", the very funny account of Susan and her adventures in other worlds.
To be QUITE honest: Alison had the same idea I had. A while ago I outlined a possible science fiction story to my publisher, but I can save myself the effort of ever writing it: Alison has done it already! 








So here, today, I've put some tough questions to the author A.B.Wells. 






         When did you decide you wanted to be a writer?

Probably when I was about ten! I’ve been writing all my life. When I was a teenager I thought I would be a journalist. I submitted my first manuscript – a children’s story – when I was eighteen and received a lovely handwritten reply of encouragement. In college I studied both Communication Studies and later Psychology, allowing me to explore both writing and the human mind. Eventually I worked as a writer of scripts for computer based training courses but it’s only in the last few years that I’ve written continuously and tried to make a career of writing. 






Is “Housewife” the first book you attempted? What gave you the idea for the story?

No it’s not my first attempt. I have two mainstream novels in the proverbial drawer which I see as practice runs. In 2010 I had an idea for a literary novel and the idea for the sci-fi comedy that became Housewife with a Half-Life. I was about to embark on the writing challenge Nanowrimo (where you write 50,000 words in a month) and was at a phase of life when I needed to work on something lighter. I came to the story through a series of notes rather than one significant idea, the characters of Susan Strong and Fairly Dave stood out. It was when I began writing the book that more and more situations and characters emerged. 



        You have chosen Science Fiction to start out your writing career. Will you stick to this    genre? What do you think of “genre-hopping”, or of the rule to stick to one?

It’s important to publishers to identify a genre so that they focus their marketing efforts but there are many examples of cross-genre books in the public eye. One example is Audrey Niffenegger, her books have a very strong sci-fi element although they are marketed as general women’s fiction. While my book is termed a sci-fi comedy, it’s also got a wide appeal, particularly to women and mothers. The science and the tone of the book is light. So while it is important to choose a genre, I think it’s equally important for variety and creativity for there to be flexibility in combining genres. The way publishers and readers handle this is by create subgenres eg urban fantasy. 



 “Housewife” is self-published. What made you decide to go this way? Did you attempt to find an agent or publisher before deciding to self-publish?

There are several reasons. I did first attempt to get Housewife with a Half-Life traditionally published but only tried two publishers. They saw positives but did not know where it would fit with their catalogues. At the same time I was associated online with many indie authors and admired their energy and artistic freedom. I felt that self-publishing was an optimistic step I would like to take. However I don’t think I would have taken the plunge until I chatted with my editor and other respected writing professionals who thought that Housewife with a Half-Life would be a good candidate for trying as a self-published venture. 
I am still actively trying to get an agent and have a literary novel on submission. 




 Do you have help with the “publishing” side of being a self-published writer?




Self-publishing is a huge learning curve and it’s true to say that organizing all the elements is massively time consuming, particularly the marketing side. However I have had assistance from a variety of professionals. Sarah Franklin edited the book and other friends and associates proofread it. Andrew Brown of DesignforWriters worked on the eye-catching cover. My technically minded husband was of enormous practical help for the upload and formatting for files for ebook and paperback. I’m also about to sign up to join the wonderful Alliance of Independent Authors who provide structured support services to authors going it alone. Finally, I’ve been really lucky that a local bookshop of the Irish Hughes & Hughes chain have offered to stock the book and hold a launch and book signing. They are working hard on promotion and it really makes a difference to have a third party working on your behalf. 

 Are you working on a new project yet? 

Yes, I’ve just completed a literary novel called The Book of Remembered Possibilities and it’s about to be submitted after a final read over. It has very similar themes to Housewife with a Half-Life in a way – search for identity, the alternative lives we might have lived – although it has a more serious tone? I’m also on the first draft of a novel based on one of my short stories called The Exhibit of Held Breaths. It’s about an unusual exhibit which strongly affects the exhibit’s curator and the town’s inhabitiants. I’m very excited to have received a place on a writing retreat for eight days to work on it. 



What’s the best part of being a writer for you, and what the worst?

The best and worst bits of being a writer are the same – the writing and how you feel about it! You either feel that you are crafting something fantastic or that what you have written is rubbish and there’s no way of knowing when your internal critic will strike! But like most writers I can’t give it up, I have to continue writing, the compulsion will never go away! 







Housewife with a Half-Life is available as a paperback
On Amazon DEAmazon.de
On Amazon UKAmazon.uk
and Amazon US.Amazon.com
The ebook is available on Kindle 
More information about A.B. Wells
A.B.Wells is the mother of four children under twelve. She lives in Bray, Co. Wicklow, Ireland. As Alison Wells her more literary writing has been shortlisted in the Bridport, Fish and Hennessy Awards and she’s been published or is about to be in a wide variety of anthologies and e-zines, including the Higgs Boson Anthology by Year Zero, Metazen, The View from Here, Voices of Angels by Bridgehouse and National Flash Fiction day’s Jawbreakers. She recently won the fiction category of the Big Book of Hope ebook with a flash fiction medley and has a  novel The Book of Remembered Possibilities on submission. She blogs for the popular writing website, www.writing.ie and on her own blog about writing and life www.alisonwells.wordpress.com


The blog hop goes on on June 18th at 18th June Writing on a Wet Rock http://marthawilliams.org/



.

Tuesday, May 29, 2012

The Loneliness Of The eBook Reader

Here. This is the print version of my award winning book.




See? There's the award sticker! It's ON the book, put there by my publisher.
They had this moment of glory when those stickers came in the mail, when they could detach them from the sticker sheet and pick a spot on the book cover to put it.
It must have been a moment of tactile glory. Something they could touch, success, felt in the embossed surface of that plaque.
My publisher tells me  – and they know these things  –  that print sales drop the moment the eBook version is launched. They are all in favor of eBooks, too, tell me they are more profitable, which I believe. It's obvious, right? Less work, less fuss, no print costs, no shipping costs, no mountain of books sitting in storage waiting to be sold.
It's easier for the reader, too. Instant download, no shelf space, no extra weight in the luggage when you travel, and it's also much easier to read from a highlighted screen that from paper on a plane.
There's no denying that – I bought an iPad just the other day for my travels this summer, and yes, I downloaded books that I've always meant to read but never got around to buying.

I've also downloaded some movies. And before I leave I'll buy ALL of Dr. Who to watch on the plane.

Here's the thing, though. I have to admit this wasn't my own thought. It was brought up by my best friend's  daughter. She's twenty-two, a math student, and an avid reader and music lover.
While we were having coffee together today, this subject came up.
We were talking about the launch of my new book, "Under The Same Sun", scheduled for October 1st. I said that I had no idea how many copies would actually be printed because the demand for eBooks seems to be so much higher, and how glad I was that it says in my contract that I'm getting ten copies. I love to have my own books in print. I WANT to have my own books in print!
Constanze threw me a very sad, very thoughtful glance and said, "Soon there won't be any shops at all anymore because everyone buys everything online."
That made me think.
She went on to say that for her (she's twenty-two! A member of the electronic generation!) going to a book store was an adventure. It meant foraging for new books, leafing through them, talking to people, listening to reading advice, and finally coming away with a bag full of loot, something she could hug to herself on the ride home. She also said that even though she didn't have a whole lot of time to read just now, she really enjoyed just looking at her book shelves, seeing all the books she loves so well there. It gives her the feeling that she can pick out one at any moment and read. It's tactile, it's real, it's a friend.

The movies, she said. People don't go to the movies like they used to, with TV on demand, cheap DVDs and film downloads.
The record stores – why spend time at a record store, browsing through CDs, if you can just download the songs you want from iTunes?

"We are creating a society of loneliness," was her verdict, "We don't have to leave our homes for anything at all anymore. But it's fun to go to the movies and share the experience with a theater full of people, and it's fun to buy a book because an enthusiastic sales person tells you what they thought of it. It's an adventure, one of the last adventures we city creatures have, to go to a book store and find new books. If it goes on like this we'll all be spending all our time in front of computers, on our own, cut off from other people, and gratify our needs speedily and without having to talk to anyone else at all. We won't even need clothes anymore because no one else will see us."

I'd not seen it like that before.

I'm an author. I want to hold my book, the book a publisher took the trouble to publish, in my hands.
I also want to go on book signing tours, make contact with my readers, look into their faces and hear their opinions of my novels. I want to meet the REAL people.

What I'm trying to say is, maybe not everything that's new is also a blessing.
Maybe there will come a day when we regret not having a print copy of the book we love so much.
A paper book can't easily be taken away from you. An electronic copy can just be deleted.


My publisher posted a blog post about the same subject today. They know better than I do, of course, being involved in the market while I'm only the writer. If you want to read their insights, go here:

http://amwriting.org/archives/11880






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Friday, May 4, 2012

The Day After, Part Three




My publisher - who, of course, as you all know by now, is MaryChris Bradley of Buddhapuss Ink - and I, we talk a lot. We talk about small things like the weather and the yearning for a muffin, a new movie, and we talk about the big things, like publishing dates, book covers, reading tours and what to have for lunch and where when we meet this summer. Sometimes we talk first thing in the day (HER day), to check if the other is doing ok, to toss a "good morning" at each other before we settle down to a day's work.
Just like last Sunday. Here is how it went.

Publisher: "Good morning. If I tell you something very very very nice, will you promise to NOT talk about it?"
Me: "Uhm, sure."
Publisher: "You won an IPPY Award!!!!"
Pause.
Me: "What's an IPPY?"
A looooong pause at the other end, and clearly audible breathing. Calming breathing, too. I could actually hear her count to ten.
Then: "YOU WON AN IPPY AWARD AND YOU CAN'T TALK ABOUT IT UNTIL IT'S ANNOUNCED OFFICIALLY BUT I THOUGHT I'D TELL YOU BECAUSE I JUST WANTED TO READ MY EMAIL AND THERE WAS THE MAIL FROM THE IPPY PEOPLE!"

Really, she said it like that. In one long phrase, without catching her breath. I swear!
I went to google "IPPY Awards" while she was busy not fainting at my stupidity.
We talked a bit more after that, virtually holding each other's hands and dancing through the room, she calling me an "award winning thing" and I telling her she was the going to be running a BIG publishing house before she knew it, and naming her "Miss Six".
We both wished we could hug each other for real right then, but, well, distance and the Atlantic and all that.
My family, as always, greeted these news with their usual stoic "Aha..." and went on with whatever they were doing. They are like that. I mean, MEN. ("Is it something I can eat? No? Then please carry on!")

So here I was, with these enormous news, with this huge glittering marble of news, and I had to keep it under my tongue, lodged between my molars. It rolled around in my mouth, tapped insistently against my teeth, but I managed to keep it there for the four days it had to stay this well-kept secret.
Well, almost. I told my Mom. She was even more clueless than I had been, so she didn't even know where to take that information, and all was well.

Tuesday morning, 2 am my time, the winning lists were released. That meant it was 8pm Monday night for the publisher. So... I called her.
Me: "CAN I SAY IT NOW, CAN I SAY IT NOW???"
Publisher: "Not yet. Let me get the press release out first. I'll do it first thing tomorrow."
Sigh. That was a restless night.
There I was, the award winning author, and there was nothing for me to do but stare at the dawning sky and wait for New York City to wake up, to lie there in my bed and marvel at what was happening to me.

Three years ago, I decided to write a book. My first one ever, too.
Just over a year ago, I signed that first book deal with Buddhapuss.
This January, "The Distant Shore" was published, and hit the bestseller lists within hours. It sold out within hours! At the same time, before "Distant Shore" was even released, the publisher sent me two new book deals. They believed that much in me! And now, only a few months later, I can return that faith by winning this award for my publisher.

Yesterday, the "day after", I woke up in a funk. Mopey. It broke my heart that I won't be able to go to the award ceremony and pick up my medal, enjoy that moment of glory, but it's not to be. There's just no way it can be done.
Also, I had what the publisher calls "Impostor Syndrome".
Why ME? Of all those who entered that award, why was my book picked to win a medal? There are so many out there who work and write and work and submit and promote, and who've been at it for so much longer. They should be getting awards, not me.
Publisher brushed it away, called me silly (she likes to do that), and told me to get back to work.

Which I'm doing. Back to writing it is for me, since I promised to finish the trilogy before my summer travels.
Clothes shopping it is for the publisher, since she will go to pick up my medal for me at the awards ceremony. NO black, I told her, DON'T wear black like all those NY publishers, stand out, wear RED.
After all, we have reason to celebrate.
Here's the proof:

IPPY Award 2012 Winners List




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Wednesday, May 2, 2012

Once In Your Life - The IPPY Awards!


This is what my publisher blogged today! Cake and champers are on me! :)




The Distant Shore Wins the 2012 IPPY Bronze Medal



FOR IMMEDIATE RELEASE

May 2, 2012

Buddhapuss Ink LLC, a NJ based book publisher, announced today that Mariam Kobras, of Hamburg, Germany, won the 2012 Independent Publisher Book Awards’ Bronze Medal in Romance for her book: The Distant Shore: Book I of the Stone Trilogy. Kobras said she was “beyond over-the-moon” with the news. The Distant Shore, which released in January, sold out on Amazon in a matter of hours. “Winning this award for her first book is recognition of just how talented a writer she is.” said Buddhapuss Ink Publisher, MaryChris Bradley. “She conveys feelings and emotions in one page that take other authors’ chapters. Her command of the English language, and its nuances, is extraordinary. In January we signed a new contract for the next two books in the Stone Trilogy. We extend our hearty congratulations to Mariam for this well-deserved award! ”

The Distant Shore, a contemporary romance with a light twist of suspense, is the story of Jonathon Stone, a rock superstar and Naomi Carlsson, the girl he loved and lost. The story centers on their reunion sixteen years later and takes place in locales from a small fishing village in Norway to LA and New York City. But life in the fast lane comes with its own brand of danger and it isn’t long before their life together is threatened by a jealous fan.  “The storyline for The Distant Shore was inspired by my fascination with the limitations fame can impose on people.” stated Kobras. “The book explores the value of love in a world where money and a front-page photo are sometimes more important than a person's soul.”

Kobras, was born in Frankfurt, Germany. She lived in Brazil and Saudi Arabia with her parents as a child before they decided to settle in Germany. She attended school there and studied American Literature and Psychology at Justus-Liebig-University in Giessen. Today she lives and writes in Hamburg, Germany, with her husband, two sons and two cats.

BUDDHAPUSS INK LLC is based in Edison, NJ. Founded in 2009, it is led by Publisher, MaryChris Bradley, a 28 year veteran in the book industry. “Our company mission is to ‘Put our readers first’ and we are committed to finding and growing new authors at a time when the major houses seem to have turned their backs on writers without an already well-established track record. “ Bradley can be contacted atPublisher@BuddhapussInk.com. “Of course, you can always find us on Facebook, and twitter too.”
@Buddhapuss on twitter      Buddhapuss Ink LLC on Facebook