Showing posts with label author. Show all posts
Showing posts with label author. Show all posts

Tuesday, February 19, 2013

The World of Khantara








High fantasy, romance, quirky humor and writing that reminds of Jane Austen - all these you can find in Michelle Franklin's novel Khantara! It's my honor to welcome her to my blog today, where she stops by on her blog hop to celebrate the release of her novel.
I will tell you this much: my favorite character is "the wren".

If you like fantasy, and if you appreciate a good read, this is for you!











Remembering Kindness: Vyrdin’s Dream 

PART 4
                Twenty minutes had gone since Vyrdin had left the farm, and he had not returned and closed the low gate when Mr. Carrighan came thundering toward him from the house. “Where you been, boy?” he growled, his good eye flaring, the veins in his forehead throbbing, his dry and crag-like mouth caught in a cracking flout. He grabbed Vyrdin by the collar and jerked him forward. “That kiln ain’t lit,” he hissed, giving his prey a fierce shake. “You’re gonna tell me where you been or I’m gonna take the hazel to you.”
                “The cleric, sir,” Vyrdin murmured, trying to maintain his balance as he was jerked about. “The cut on my arm wasn’t healing.”
                “You ask me if you could leave?”
                There was no answer.
                “You hear me, boy?” He jostled his captive, but Vyrdin remained silent, his eyes downcast and his head down in solemn contrition. “You’re askin’ for a birtchin’, boy,” he seethed, gripping the back of Vyrdin’s collar with the opposing hand and hurling him round.
                Vyrdin almost toppled over his own feet and regained his footing only to be met with the sight of his master’s free hand reaching into his overcoat pocket. He knew what was hiding there, was well aware of the pain he should be in a few hours hence from the sting of the delimbed shrags, and tensed his shoulders, tightened his fists, and winced in preparation of the anguish of what must follow.
                “Diathanes, Carrighan,” said a familiar voice.
                Vyrdin turned, and without looking up noted the brickmaker hastening toward them from the corner of his eye. Shame and indignation crimsoned his gaunt cheeks, and though he was not released, his master’s hold on him relented. 
                “Gearrog,” Carrighan exclaimed. He took his hand from his pocket and offered it to his visitor, eyeing him charily. “What brings you? You ain’t goin’ to Westren for the holiday?”
                “Can’t. Too much to do here.” Gearrog glanced at Vyrdin, whose face was turned to the side, and then at Old Carrighan, who seemed particularly discomfited by his sudden appearance. He seemed half a second away from doing something which he knew others might find intolerable, and though he appeared somewhat ashamed, he was hardly repentant: his hand was still grasping Vyrdin’s collar, the boy looked as though he were petrified, and altogether the brickmaker received the notion that he had interrupted something which he was certain of disapproving. “I just come by to see if you’re needin’ ‘nymore brick for your kiln. Saw the lad’s arm,” nodding to Vyrdin, “I says that need healin’, so I brought him to the cleric meself.”
                “That true, boy?” Mr. Carrighan said, in a heated tone.  
                Vyrdin looked away, his heart swelling with indignation, his eyes brimming with tears.
                “Practically had to drag the lad there,” said the brickmaker, with pointed circumspection. “Lad didn’t wanna leave.” He paused and gave Vyrdin a solicitous look. “Hope I didn’t cause no trouble.”
                “No trouble at all,” replied the feller, with marked coolness.
                A perfunctory grin on one side, a fleeting smirk on the other, and the brickmaker felt obliged to linger around the land, that he might assured of the boy’s safety. The manner in which the boy was being held, his refusal to turn around, the shifting looks of the feller, his vehement stares all suggested there being something amiss here, and Gearrog would see it if he could. He wanted there to be a something wrong that he might report it, but when Mr. Carrighan said his “Good night, Gearrog,” with stern finality, he was certain of observing nothing whilst he was around to witness. He must take his leave and pretend to go if he should catch him at doing something unwholesome. He nodded his goodbyes, hoped that Vyrdin was well, and turned toward town, looking over his shoulder as he went with marked concern.
                “It ain’t right when a lad’s ‘fraid to get his arm mended,” he murmured to himself, but he observed that the boy was being released, and his mind could not be easy.
                “Get back to work, boy,” said Mr. Carrighan, pointing Vyrdin toward the kiln. 
                Grateful that he had escaped what had promised to be a most brutal punishment, despite his humiliation, Vyrdin felt his fortune and began moving toward the far field. Pangs of intense hunger suddenly assailed him, and as the sensations of stiff fingers and cracking skin were once again upon him, he felt his spirits grow somnolent. “Sir?”  he asked, mortified and desperate, “I’m very hungry. May I have something to eat, sir?”
                “Somethin’ to eat?” Mr. Carrighan chuffed. “You think you deserve it, boy?”       
                Vyrdin knew the answer to this question: if he should say yes, he would be punished for insolence, and should he say no, he would be admitting his own folly at having asked at all. He remained silent therefore and left the fate of suppers and subordination to be determined. He felt the scowling countenance of disapproval and disgust bore through his curls. How disobedient and repugnant an object he was to have gone to the cleric that he might find some small measure of peace and care for an arm which he desperately needed for work. Should he have lost it, he dreaded to think of how vilely he would have been treated thence. A poor and famished orphan with only one arm was far worse than one with two, for as long as he proved his usefulness and asperity, he was given meals — when he deserved it — and shelter where he might otherwise have been forced to find both in a poor house. The Church could not want him any longer; he was too old to be taken in unless he meant to join the laity. Penance and privation must be his due, but he escaped both punishment and remonstrance here: Mr. Carrighan was in want of the plum pudding his sister had shoddily made and was therefore obliged to show his kindness on the holiday and forgive the boy for his lapse. Such a charitable act obliged Vyrdin to say his thanks, and as the master returned to the house, Vyrdin exhaled in relief, marveled at his fortune at having been spared two punishments in one day, and went to the far field, hoping to find the last remnants of a few dandelions about for grazing.
                Some of the kale, cabbage, and sunroot was still in the ground, and after eating a few of the tough leaves and exhuming some of the tubers, Vyrdin found himself able to continue with his work. He drew his scarf about him, tore through the sunroots, rallied his spirits, and with a few stalks of kale in his mouth, went to collect the wood for the fire.
                “Lad’s gonna freeze hisself to death,” said Gearrog, watching Vyrdin mechanically sift through fallen boughs of dried oak. A vicious glare toward the house, and the brickmaker was gone, hastening down the road with all the alacrity that his violent indignation could excite. He would not leave a boy to freeze in the cold, he would not leave him to go hungry when every other house was sitting down to table and delighting in all the revelry of the holiday’s first feast, and he would not leave him to feel wrong for doing what was right. 





See the entire blog hop here: 




Don't miss the next installment!







Friday, June 15, 2012

A Housewife With A Half-Life!

It's a great pleasure to be part of Alison's blog hop!
She has just released her novel "Housewife With A Half-Life", the very funny account of Susan and her adventures in other worlds.
To be QUITE honest: Alison had the same idea I had. A while ago I outlined a possible science fiction story to my publisher, but I can save myself the effort of ever writing it: Alison has done it already! 








So here, today, I've put some tough questions to the author A.B.Wells. 






         When did you decide you wanted to be a writer?

Probably when I was about ten! I’ve been writing all my life. When I was a teenager I thought I would be a journalist. I submitted my first manuscript – a children’s story – when I was eighteen and received a lovely handwritten reply of encouragement. In college I studied both Communication Studies and later Psychology, allowing me to explore both writing and the human mind. Eventually I worked as a writer of scripts for computer based training courses but it’s only in the last few years that I’ve written continuously and tried to make a career of writing. 






Is “Housewife” the first book you attempted? What gave you the idea for the story?

No it’s not my first attempt. I have two mainstream novels in the proverbial drawer which I see as practice runs. In 2010 I had an idea for a literary novel and the idea for the sci-fi comedy that became Housewife with a Half-Life. I was about to embark on the writing challenge Nanowrimo (where you write 50,000 words in a month) and was at a phase of life when I needed to work on something lighter. I came to the story through a series of notes rather than one significant idea, the characters of Susan Strong and Fairly Dave stood out. It was when I began writing the book that more and more situations and characters emerged. 



        You have chosen Science Fiction to start out your writing career. Will you stick to this    genre? What do you think of “genre-hopping”, or of the rule to stick to one?

It’s important to publishers to identify a genre so that they focus their marketing efforts but there are many examples of cross-genre books in the public eye. One example is Audrey Niffenegger, her books have a very strong sci-fi element although they are marketed as general women’s fiction. While my book is termed a sci-fi comedy, it’s also got a wide appeal, particularly to women and mothers. The science and the tone of the book is light. So while it is important to choose a genre, I think it’s equally important for variety and creativity for there to be flexibility in combining genres. The way publishers and readers handle this is by create subgenres eg urban fantasy. 



 “Housewife” is self-published. What made you decide to go this way? Did you attempt to find an agent or publisher before deciding to self-publish?

There are several reasons. I did first attempt to get Housewife with a Half-Life traditionally published but only tried two publishers. They saw positives but did not know where it would fit with their catalogues. At the same time I was associated online with many indie authors and admired their energy and artistic freedom. I felt that self-publishing was an optimistic step I would like to take. However I don’t think I would have taken the plunge until I chatted with my editor and other respected writing professionals who thought that Housewife with a Half-Life would be a good candidate for trying as a self-published venture. 
I am still actively trying to get an agent and have a literary novel on submission. 




 Do you have help with the “publishing” side of being a self-published writer?




Self-publishing is a huge learning curve and it’s true to say that organizing all the elements is massively time consuming, particularly the marketing side. However I have had assistance from a variety of professionals. Sarah Franklin edited the book and other friends and associates proofread it. Andrew Brown of DesignforWriters worked on the eye-catching cover. My technically minded husband was of enormous practical help for the upload and formatting for files for ebook and paperback. I’m also about to sign up to join the wonderful Alliance of Independent Authors who provide structured support services to authors going it alone. Finally, I’ve been really lucky that a local bookshop of the Irish Hughes & Hughes chain have offered to stock the book and hold a launch and book signing. They are working hard on promotion and it really makes a difference to have a third party working on your behalf. 

 Are you working on a new project yet? 

Yes, I’ve just completed a literary novel called The Book of Remembered Possibilities and it’s about to be submitted after a final read over. It has very similar themes to Housewife with a Half-Life in a way – search for identity, the alternative lives we might have lived – although it has a more serious tone? I’m also on the first draft of a novel based on one of my short stories called The Exhibit of Held Breaths. It’s about an unusual exhibit which strongly affects the exhibit’s curator and the town’s inhabitiants. I’m very excited to have received a place on a writing retreat for eight days to work on it. 



What’s the best part of being a writer for you, and what the worst?

The best and worst bits of being a writer are the same – the writing and how you feel about it! You either feel that you are crafting something fantastic or that what you have written is rubbish and there’s no way of knowing when your internal critic will strike! But like most writers I can’t give it up, I have to continue writing, the compulsion will never go away! 







Housewife with a Half-Life is available as a paperback
On Amazon DEAmazon.de
On Amazon UKAmazon.uk
and Amazon US.Amazon.com
The ebook is available on Kindle 
More information about A.B. Wells
A.B.Wells is the mother of four children under twelve. She lives in Bray, Co. Wicklow, Ireland. As Alison Wells her more literary writing has been shortlisted in the Bridport, Fish and Hennessy Awards and she’s been published or is about to be in a wide variety of anthologies and e-zines, including the Higgs Boson Anthology by Year Zero, Metazen, The View from Here, Voices of Angels by Bridgehouse and National Flash Fiction day’s Jawbreakers. She recently won the fiction category of the Big Book of Hope ebook with a flash fiction medley and has a  novel The Book of Remembered Possibilities on submission. She blogs for the popular writing website, www.writing.ie and on her own blog about writing and life www.alisonwells.wordpress.com


The blog hop goes on on June 18th at 18th June Writing on a Wet Rock http://marthawilliams.org/



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Wednesday, May 2, 2012

Once In Your Life - The IPPY Awards!


This is what my publisher blogged today! Cake and champers are on me! :)




The Distant Shore Wins the 2012 IPPY Bronze Medal



FOR IMMEDIATE RELEASE

May 2, 2012

Buddhapuss Ink LLC, a NJ based book publisher, announced today that Mariam Kobras, of Hamburg, Germany, won the 2012 Independent Publisher Book Awards’ Bronze Medal in Romance for her book: The Distant Shore: Book I of the Stone Trilogy. Kobras said she was “beyond over-the-moon” with the news. The Distant Shore, which released in January, sold out on Amazon in a matter of hours. “Winning this award for her first book is recognition of just how talented a writer she is.” said Buddhapuss Ink Publisher, MaryChris Bradley. “She conveys feelings and emotions in one page that take other authors’ chapters. Her command of the English language, and its nuances, is extraordinary. In January we signed a new contract for the next two books in the Stone Trilogy. We extend our hearty congratulations to Mariam for this well-deserved award! ”

The Distant Shore, a contemporary romance with a light twist of suspense, is the story of Jonathon Stone, a rock superstar and Naomi Carlsson, the girl he loved and lost. The story centers on their reunion sixteen years later and takes place in locales from a small fishing village in Norway to LA and New York City. But life in the fast lane comes with its own brand of danger and it isn’t long before their life together is threatened by a jealous fan.  “The storyline for The Distant Shore was inspired by my fascination with the limitations fame can impose on people.” stated Kobras. “The book explores the value of love in a world where money and a front-page photo are sometimes more important than a person's soul.”

Kobras, was born in Frankfurt, Germany. She lived in Brazil and Saudi Arabia with her parents as a child before they decided to settle in Germany. She attended school there and studied American Literature and Psychology at Justus-Liebig-University in Giessen. Today she lives and writes in Hamburg, Germany, with her husband, two sons and two cats.

BUDDHAPUSS INK LLC is based in Edison, NJ. Founded in 2009, it is led by Publisher, MaryChris Bradley, a 28 year veteran in the book industry. “Our company mission is to ‘Put our readers first’ and we are committed to finding and growing new authors at a time when the major houses seem to have turned their backs on writers without an already well-established track record. “ Bradley can be contacted atPublisher@BuddhapussInk.com. “Of course, you can always find us on Facebook, and twitter too.”
@Buddhapuss on twitter      Buddhapuss Ink LLC on Facebook